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A crooked sheriff in a small Southern town frames an ex-convict in a drug bust and takes his girlfriend.

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genge: Action,Adventure,Crime,Drama,Romance


imdb: 6.4

duration: 1h 36min

tags: All Poke wanted was to get his girl and get out. All the Sheriff wanted... was to get Poke.


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After doing five years in prison on a drug charge, Poke is returns to his hometown intent on taking his sweetheart Mary Lee (and their child) away with him to California. His plan hits a snag, however, when he discovers that since his incarceration, Mary Lee has taken up with Duke, the very sheriff who put Poke behind bars in the first place. Things turn even worse for Poke when he later witnesses Duke assassinating a local hispanic politician. Now with Duke out for his blood, Poke must choose to run for his life or make a stand. A crooked sheriff in a small Southern town frames an ex-convict in a drug bust and takes his girlfriend. A Small Town In Texas is a film that I put high on the list of genre action films that were a staple at drive-in's during the '1970's and '80's. The car action is great with real stunts. A great cast of film supporting actors and the always cool directing of the late Jack Starrett. Bo Hopkins is great as the sheriff, Morgan Woodward as the corrupt rich local, John Karlen and Clay Tanner as deputies, Susan George as the girlfriend is '70's hot!,Art Hindle is always good and Buck Flower steals the show as a cussin', spittin', tough-as-nails hick who helps Timothy Bottoms against the crooked law man. I hope a DVD release will be in the near future. Haven't seen this movie for well over 20 years, when I was only about 12. Even at such a young age, I picked up on the fact that the realism of the town depicted is extremely far-fetched; the police department in a town of this size (remember, this is a "Small" Town in Texas) would have a fleet of 6 or 8 vehicles at the most, yet in the big chase scene there are local police cars by the score, probably a hundred plus. That is my #1 memory of the film. A much better flick is "The Night the Lights Went Out in Georgia" with Dennis Quaid. Although the protagonist in "Georgia" is not a native of the town in which the story takes place, the basic plot of "bad-guy lawman tries to bully damsel away from our hero" is very similar to "Small Town in Texas." I recall the Dennis Quaid movie as the better of the two, and that doesn't say much!*!


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A remake of Metal Gear Solid 3: Snake Eater with many added features; such as the free range camera, new camouflage outfits, bonus levels and a theater mode. I recently got subsistence as a Christmas present and i just had to comment on how good this game is!! a long time ago i played metal gear solid 1 and it changed my life, and the way i view films or games. it was amazing and when MGS 2 came out it was also very good but didn't leave me feeling quite as astounded with its extremely complex story and half the game you had too play with a certain raiden guy. But i hadnt played Snake eater then and it really did live up to my expectations, fantastic gameplay great graphics and gripping storyline. i was right until the end i looked back and thought what a bloody good game and then headed onto the online game which is also fantastic.any1 out there who hasn't played it go to the shop right now! especially if you haven't played the original mgs 3 Because I'm a huge fan of the Metal Gear series, I just had to get this version of Snake Eater that was released in 2005 here in Europe, so I could get my hands on the MG-MSX games that came out in -87 and -90 that are included in Subsistence. I'm a little disappointed that those games (at least Metal Gear 1) were altered; a good part of the beginning of MG1 was chopped off so you don't start it all in the jungle but from the military base you're supposed to infiltrate later in the game. I can't help to wonder why. Unlikely that it didn't all fit into the disc because you could've dropped one of the Secret Theater-vids off(which were hilarious for the most part). Graphics were altered too in MG1, although it's not too much of a problem.

That they also added an online mode to Subsistence looks to work really great. Solid. This feature makes you think it'd be a really good idea to purchase an adapter for multiplayer fun. If you already have it, it's only good for you.

The new camera angle for the real core game of Subsistence where you can rotate the view 360 degrees around Snake, works too and deepens the experience to the point of intense, I think. Though, I was left wanting the camera to be a little more far away from Snake, but it does its work fine anyway. It's great for them to allow changing back to the original camera view by pressing R3, because in a few points in the game the original works better. Other than that the game's the same ol' immense stealth action package with a cool, greatly written script, where you'll find new things the more you play it (currently playing to catch Japanese model picture posters on camera.. <_<).

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tags: In 2012, the threat level in Benghazi, Libya was deemed "critical". When everything went wrong, six men had the courage to do what was right.

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During an attack on a U.S. compound in Libya, a security team struggles to make sense out of the chaos. Libya, 2012. At an unofficial CIA base in Benghazi a group of ex-military contractors are providing security. In the aftermath of Gaddafi's downfall a power vacuum exists and the climate is volatile. Military weapons are freely available. The US Ambassador to Libya, Chris Stevens, makes a visit to the area, staying in a compound near the CIA base. On the night of 11 September, 2012, the Ambassador's compound is attacked by hordes of heavily armed locals. The only forces willing and able to defend it are six CIA contractors. This is a movie that your government doesn't want you to see. Great acting, great action, and great explanation of what happened in Benghazi. Let's you understand why Benghazi is still in the news and why it should be!

Some of the paid movie critics--particularly those from liberal publications--are attempting to diss the movie. They are way off base. The movie doesn't get caught up in trying to send a message or politics. In fact, I don't believe that Obama's or Clinton's names are even mentioned in the move. The director has even said that he went out of his way to keep politics out of the movie. The movie just shows what happened in Benghazi--or rather, what didn't happen in Benghazi. What didn't happen, was that no air help was given to those under attack despite multiple calls for help. People died because nothing was done. Terrible! I saw this movie without knowing anything about the people who directed it. While i was watching it, i came to major problems, one of them the thing that 2 characters looked almost identical, also 2 parts of a city had different climates at some scenes, and the movement of this ex- marines and ex-delta soldiers in battle was very disappointing at some parts it was funny to see them running with their weapons. The end message of one American fighter to the local translator was really the sums up of a movie with no heart, that tries to be many things but i just cant do it. After that i saw Michael Bay as director and understood everything. Sure, Bay indulges some signature cinematic fetishes. But he shows restraint with the slowed-down, sexed-up shots. War is gritty here, not glamorous. Result: characters, stakes and emotions feel authentic — all the more so thanks to terrific actors including James Badge Dale and Pablo Schreiber as actual ex-military men and family men who battled terrorists.


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Power Rangers Wild Force takes place in a city known as Turtle Lake, where evil creatures of the past called The Orgs have returned from their long slumber to cause havoc on earth! As The Orgs return, Princess Shayla of the floating sky island, Animarium, summons forth a group of young adults to call forth the powers of - Power Rangers Wild Force! Together, the Rangers and their Zords must save the planet from Master Org and his minions. Five teenagers are chosen by five Power Animals to become the Wild Force Rangers, to fight the evil Jinderax and Toxica and their evil Orgs. These Power Ranger shows get worse everytime. A couple seconds into watching this and I laughed because it was so corny and awful. Why do they even keep making them? They get more awful every time. The original was ok and the one after that was enough. The people should stop making these. They all have bad acting and the same storyline. One more time, stop making power ranger shows! I kinda have mixed feelings about this one. There are some good things and bad things that leaves me wondering about this recent set of Rangers.

The most significant improvement is the fact that the Japanese footage has been cleaned up to the point where it blends nicely with the American footage. Sometimes it is often hard to tell which is which, although there are still the little differences.

The storylines are so-so. Although it is not up-to-par with "Time Force" or "In Space", it's not "Turbo" quality either. We'll see what the rest of the show has to offer.

My only complain is the CGI zords (the giant robots). They do not fit in a Power Rangers show and are more suited for a Transformers show. Also, even though the Japanese footage has been cleaned up, the visual effects now look somewhat weak. It could have been liked this before, but it's kinda sad now.

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Cole Phelps, a war hero and rookie cop, moves up the ranks and solves dark cases in 1940s Los Angeles.

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Amid the post-war boom of Hollywood's Golden Age, Cole Phelps is an LAPD detective thrown headfirst into a city drowning in its own success. Corruption is rampant, the drug trade is exploding, and murder rates are at an all-time high. In his fight to climb the ranks and do what's right, Phelps must unravel the truth behind a string of arson attacks, racketeering conspiracies and brutal murders, battling the L.A. underworld and even members of his own department to uncover a secret that could shake the city to its rotten core. Cole Phelps served in the Marine Corp. during World War 2. Now he finds himself as a detective serving in the Los Angeles Police Department, and faced against LA's most dangerous criminals, rapists, kidnappers, drug dealers, and even his own haunting past. I know that I will probably get a lot of comments about the tag line I used, but I sincerely believe that L.A. Noire had the potential to be an amazing game, but it fell short in several areas. It's a success because it -is- a great game, fun to play, good story... but it is a failure (to me) because it's the first Rockstar game I've scored less than 9. It fell well short of its potential.

I'll get right to it.

Graphics - 10/10 There's really no doubt that the game is absolutely gorgeous with the new facial scanning feature. This, coupled with the wonderful lighting and amazing detail to the city makes for a beautiful game to look at.

Sound - 10/10 The voice actors are phenomenal. They deliver believable performances without going over the top and they add a perfect amount of emotion to the dialog. The music is also amazing, adding to the overall engrossing atmosphere.

Controls - 8/10 There aren't any -major- complaints here. The shooting system leaves something to be desired, especially following in the wake of Red Dead Redemption. Driving controls aren't perfect either, but there have been much, much worse.

Story - 9/10 L.A. Noire has a very interesting story behind it. I've heard it said before: GTA meets CSI. That's an accurate assessment. Be prepared for an interesting journey.

Fun Factor - 7/10 Here's where things get interesting. Don't get me wrong, the game is fun, challenging at times, and interesting. My main problem with the game is after the first few cases, you'll notice that things get repetitive. You go to a crime scene. You look for clues. You go talk to suspects. You use your clues to get answers. That's about it. It also feels -way- too linear for me, often pushing you from one case to the next without giving you much time to explore the world and have fun.

There's a reason for that: There isn't much to do other than the main cases. Sure, you can respond to random calls from dispatch, but even - they- get repetitive. Go to the scene. Shoot out/chase/hostage situation. Rinse and repeat.

The major appeal to this genre for most people is the ability to go where you want, do what you want. While you might be able to go anywhere you want between cases, there isn't much to do when you get there. You can't even draw your weapon if you're not on a case. So all of those random rampages you love in GTA/RDR? Forget it. You won't be having those in L.A. Noire.

Another part of the game that some may not enjoy is that it often feels as though you're watching more than you're playing. There are a lot of cut scenes. Most of the game is cut scenes.

Replayability - 5/10 Since there isn't much to do beyond the main cases... No interesting side-quests, no random gunfights in the street, no stores or mini games or stunt challenges.... You'll already know all of the interrogation techniques, you'll already know who murdered who and why... You'll already have all of the answers. Where is the appeal to play again?

Overall - 8/10 It's a great game and an interesting concept. I know it wasn't meant to be a GTA clone, that it was meant to focus on the detective work and case cracking that hadn't successfully been used in a game before. But since the game is so narrow in its options as far as cases/case order/extracurricular activities, it's really hard to justify giving it any more than an 8/10. You'll have a blast playing through the first time. But when the credits roll, you'll find yourself wondering if it's destined to collect dust on your shelf. It's time to look at the case notes & see why 'LA Noire' is worth playing. First off, the video game was published by Rockstar Games; known for their 'Grand Theft Auto' & 'Red Dead Redemption' series. Second off, unlike, those other games where you play the criminal; you played a good cop here. While, this game concept might sound generic to those unfamiliar with the history of gaming; in truth, unlike other media, where police stories are cover in a weekly basics, gaming doesn't have, much to offer too those gamers wanting visualize, what a life is like to protect and serve the community. Honestly, the last game, I can recall, having something similar to anything similar to police work, was 1987's video game, 'Police Quest: In Pursuit of the Death Angel'. It's extremely rare to see a game like this. Perhaps, because unruly quick-paced first person shooter games is lot more fun to play than slow-paced, meditative detective work. While, there is still brutal graphic action in this game; it clear by the gameplay that this isn't for everybody. Inspired by pulp fiction novels & film noirs of the 1930s & 1940s, along with drawing inspiration from real-life crimes like the Black Dahlia case & Mickey Cohen; the game is set in a stunning recreation of Los Angeles from that time period, with most of the gameplay focus on your ability to read people's faces, search out clues, and determine, who is lying or not, rather than chaotic shootouts, car chases & explosives. While, 'LA Noire' is still a breath of fresh air, some of the missions has nothing to do with the main narrative of Cole Phelps (Voiced & Motion Capture by Aaron Station), a police man determined to restore order to the violent streets of 1940s Los Angeles, despite the corruption within his own police department, trying to stop him. Without spoiling the game developed by Team Bondi, too much, there were some other things that bug me about 'LA Noire', such as odd abandoning of narrative themes, such as voice narrator, who disappears halfway throughout the game and never returns. Then, there is the odd cut-scenes newspaper story sequences, elements that spoil the twist, before the main plot even get there, that you find throughout the game in very odd areas. Most of these parts, really did leave me scratching my head; as the game doesn't do a good job, developing the backstory of who Cole Phelps is, and who his lovers, partners, and friends, are, beside what show during the cases. More focus, should had been made in making the supporting characters, stand out more than the minor characters for each case. Another problem, I got with the game is the interrogations portions. Don't get me wrong, they are captivating, well-delivered dialogue scenes. However, the game is bit too easy on the challenge to judge the trustworthiness of a witness' statement. Not only does, suspects give, really outrageous, easy to figure out, facial expressions & posture, in otherwise should be challenging areas, but the opinions between calling out, "doubt" and "lie", doesn't make much differs. The crimes solving outcomes are still predetermined, and there isn't much punishment for getting, a case wrong. If anything, there is no sense of game over. The only game over screen comes from dying or allowing a fleeing suspect to escape. This makes you less of a real detective and more of a page turner, destined to always reach the next chapter so long as you make a choice -- any choice. I would love the choices, you make, alters the game's entire storyline, a little more; like some characters and small plot points being replaced throughout the timelines or you getting demoted if you do a horrible job. Because of the lack of stalks, some of the missions come off, as something more like a mindless repetitive marathon of chores from a second job than an engaging television-like cop series. It took me, a while to beat "LA Noire'. Several months for a 14 hour game, due to parts of the game, being too boring or uninteresting. Nevertheless, whenever, 'L.A. Noire' breaks free from the repetitive cycle, it can be fun to play. A great example is whenever, you have to solve riddles, leading you to landmarks across Los Angeles or playing as a different character, such as private investigator, Jack Kelso (Voiced and Motion Capture by Gil McKinney). However, this types of examples are rare. The other nitpick, I got with this game, is the 'MotionScan'. While, the brand new, facial technology indeed help delivers pure performances from a very talented group of actors & help push video games closer to true cinematic experiences. It also gave the nerving effect of the Uncanny Valley. Also some of the actions from the human game model doesn't match, well with the movement of the skin. It comes across, as a bit jarring to see the body not matching, what is happening with the face. Annoying graphical glitches, here and there. Regardless of that, the game makes great use of the surroundings. It really does capture the atmosphere of living in the 1940s, both in sites and sound. Just wish, the game was a little more open-world & immersing. I really wanted to explore & do other things, besides solving cases. It would be nice to check out, more of the night-life scene, find all the famous L.A locations, find hidden gems and talk to random characters. Trust me, 'LA Noire' would have been stronger with greater focus on the experience and less concern for including traditional game elements like 'Grand Theft Auto'. Because of that lack, there isn't much reason to return, after beating the game. Even the ending is kinda anticlimax. Overall: Even with its flaws & redundancies, 'L.A. Noire' is still entertaining & enjoyable game. It's worth playing, even if it doesn't have much of a lasting appeal.


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budget: $20,000,000

keywords: privateinvestigator, farm, kansas, oralsex, sex, murderoffamily, ruralsetting, satanist, nonlineartimeline, killingananimal, animalslaughter, witness, redheadedwoman, poledancer, taxi, fakeblood, murd







































Libby Day was only eight years old when her family was brutally murdered in their rural Kansas farmhouse. Almost thirty years later, she reluctantly agrees to revisit the crime and uncovers the wrenching truths that led up to that tragic night. Libby Day is a lifeless woman who survived the massacre of her family in their farmhouse in the countryside of Kansas when she was eight. She's been living on donations and lectures ever since. Thirty years ago, the police believed that a satanic cult was responsible for the murder of her mother and two sisters, and her brother Ben was convicted with her testimony in court. Today, however, an acquaintance, Lyle Wirth, invites Libby to visit "The Kill Club", where amateurs investigate famous crimes, and she finds that they believe Ben is innocent. Libby needs money and, in return, accepts to revisit the slaughter of her family and comes up to the painful revelations and the ultimate truth. As soon as I heard about 'Dark Places' many months ago, I was looking forward to watching this movie. First of all, it was based on my favourite writer's novel of the same name and secondly it features two of my favourite actresses. It had to be great. I read the novel first, which is Gillian Flynn's second book and perhaps her weakest. Yet it is still engrossing with the story having Gillian's hallmarks of being dark and tense. Now we have the adaptation, featuring 'Charlize Theron'in the role of 'Libby Day'. It seemed a strange choice because Charlize is so different to Gillian Flynn's description of 'Libby'. However this is an adaptation and Charlize was good and convincing as the woman who grows up still haunted by the shocking tragedy when her entire family was massacred twenty eight years ago. Charlize delivers but this is hardly surprising given the depth of her talent but for me it was 'Chloe Moretz Grace' who steals the show as the wicked 'Diondra'. In fact she was the only character who was suitably dark in this tale which should have been tense and bleak. The film doesn't really deliver, not because it isn't a good film but because it should have been much better given the cast and the book it is based on. I fault the director for this, with the other adaptation this year by 'David Fincher' of Gillian Flynn's 'Gone Girl', we had a superior director at work who produced a brilliant and powerful version of Gillian's bestselling novel. Sadly, this is not achieved with 'Dark Places', the film seems to rush itself without any real conviction and at times has a feel of a made for television movie. Personally I would love to have seen someone like 'Clint Eastwood' direct this movie with Elizabeth Olsen in the main role as 'Libby Day'. Her smaller frame and innocent looks would have made the character more like Gillian's vision and the film should have focused more on Libby's search for the truth and closure. @zulfmanauthor I created an account just to leave the 2 star rating this movie deserves. Not a thrilling moment, character to care about or coherent storyline to be found here. This may be the most disjointed story I've ever had the misfortune of seeing. Fifteen minutes in and I couldn't have cared less what actually happened to the family or who was responsible. The satanic ritual side story had NOTHING to do with the plot whatsoever and totally could have been left out. Charlize Theron, who's typically great, was obviously phoning in this performance. Please, do yourself a favor, watch something else. Anything else! This plot-heavy suspense flick loses some of the book’s originality in translation while failing to channel its sense of Midwestern malaise. But it keeps the guessing game going long enough to compensate for some otherwise shallow characterizations, while Theron offers up an earnest and downbeat turn that says a lot with little dialogue In the book it explains that Patty Day had hired the hitman to kill her, she didn't specify how she wanted to die just that it would be quick- and on the agreement that no one would see. So in the book there's a knock on the door extremely late at night, she goes to answer it and the guy goes to stab her in the heart but he misses, ends up stabbing her a second time and then one of her kids see's so he kills her as well (Debby i think?). But obviously as far as Patty knows Libby will come to no harm as she leaves her in that room away from the killer and has arranged for her sister to come by very early the next morning to find her body.


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